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FEATURED ITEMS!
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Book: Dr. Format Bundle
Our Price: $10.50 (lowest anywhere!!)
(Ships in 24-48 Hours)
Format: Softcover, 195 pages - ISBN: 1885655088 - Pub. Date: January 2006
Description
FROM THE AUTHOR OF "THE SCREENWRITER'S BIBILE" comes his new book! Do you have a question about formatting or spec writing? Now you can have all of Dr. Format's prescriptions in one place. He adresses such issues as: How do you handle foreign languages? When can you "legally" use secondary headings? How do you streamline your scenes for a great read? What do Hollywood readers look for in a script? How do you format e-mail conversations? Dr. Format goes beyond the rules and gives you practical applications that will expand your writing repertoire. According to Dave, "Understanding formatting and spec writing is a key to crafting a great screenplay." Let Dr. Format help you do just that.
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Software: Dr. Format Bundle
Our Price: $59.95 (lowest anywhere!!)
Description
Based on the best-selling book The Screenwriter's Bible by Dave Trottier, Dr. Format's Screenwriting Software turns Microsoft Word into a Hollywood screenwriter. You'll be writing a screenplay in under 30 minutes. Includes bonus TV and Storyboard templates. Includes FREE Copy of the best selling book, Dr. Format ($10.95 value). Hollywood format guarantee - Over 130,000 readers of The Screenwriter's Bible can't be wrong.
Easy to learn - You'll be writing in just 30 minutes.
On-Screen Tutorial - Step by step, you'll be guided through your first script.
Character Cues - Enter your character names just once. No retyping.
Format Retain Features - E-mail your script worldwide to other Word users and your script keeps perfect format.
Multi-computer Usage - You can put Dr. Format on your computer at home, work, and even a laptop. Write when the muse comes.
PC & Mac compatible - As long as you have Microsoft Word, you can use either a Mac or a PC.
Bonus TV & Storyboard Templates! - Write a television sitcom. Import graphic files, your own sketches, or photos into a storyboard layout.
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Software: Power Tracker
The Convergence of Organization and Creativity™
Power Tracker's™ (MAC/PC)submission & expense tracking capabilities with unparalleled file management capabilities. Put it all together and it makes it a snap to keep on top of all your submissions, pitches, writing expenses, follow-ups and more!
Why do you need it?
Because having an agent or manager isn't enough. The most successful writers are the ones who go out there and make it happen themselves. They're the ones who set up book signings, who read the trades and figure out what's going on, the ones who take charge and make sure their material gets to the people who are going to be most interested in it.
That takes a lot of commitment, but once you've made the decision to succeed, Power Tracker™ can be a powerful ally in making it all happen.
Power Tracker's Top Features : Automatic Follow-Up Reminders keep things from EVER slipping through the cracks
Detailed on-screen and printable reports allow you to quickly and easily stay on top of every project's status
Flexible expense tracking allows you to painlessly keep track of all your writing expenses right as they happen during the submission process
Integrated file management means that you'll always be able to instantly find any file associated with any project (such as a treatment or old draft) without having to search through masses of backup disks
Full submission and closure categorization means that you'll always be able to target contacts who've liked your work in the past and who'll want to see your latest project
Integrated email sending and word processing means that you can painlessly keep track of everything you've said to anyone in one simple place
Searchable notes means you can always easily go back and find who said what to whom, days, months or even years after the fact And much, much more!
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Software: Power Writer
Power Writer™ (MAC/PC) is the first of a new breed of program for the creative writer, one which takes you from first idea through to final manuscript as one continuous act of creation.™ It erases the line between story development and story writing by fully integrating the outlining and development tools directly into the word processor. What this means to you is that your outline and story development data always remains up to date and useful, even through the most grueling rewrite.
The Convergence of Organization and Creativity™
Power Writer's unique work environment allows you to jump from outline to manuscript, from research to character development then back to your manuscript again all without ever losing a beat. Get rid of all those scribbled notes, discarded outlines and mislaid half-written scenes. With Power Writer everything is all in one place, right at your fingertips, but at the same time out of your way so that it never intrudes on the flow of your writing.
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Multimedia/DVD: The Hero's 2 Journeys
The Hero's 2 Journeys contains 3 DVDs with over 4 ½ hours of writing techniques and story analysis from Michael Hauge, author of Writing Screenplays that Sell, and Christopher Vogler, author of The Writer's Journey. Starring Michael Hauge and Christopher Vogler. For the first time, two of Hollywood's top studio script consultants, story experts and authors unite to reveal the tools and principles you must know to move your screenplay, novel or film project from the rejection pile to the production slate. In this special 3-DVD set, designed for storytellers and filmmakers in all disciplines, these two renowned writers and teachers provide their unique insiders' understanding of the ways story structure, character arc, and theme must combine with myth, archetype, identity, and transformation to touch the widest possible audience.
The Hero's 2 Journeys reveals how your characters must travel two journeys for your story to succeed. Michael Hauge focuses on the Outer Journey. The Outer Journey is the physical path and includes the real-life obstacles your character must overcome. Chris Vogler teaches the Inner Journey. The Inner Journey is the emotional path of your character and the inner changes required by your character on the way to his or her goal. Your character must travel both Journeys for a successful story. Hauge and Vogler together discuss the Outer and Inner Journey of the lead character in the award-winning screenplay Erin Brockovich.
What's on each disc?
Disc 1: The Outer Journey Introduction
# The Foundation of All Story
# The Six Stage Plot Structure
# Using Myth and Archetype to Strengthen Your Story
# The 12 Steps of the Hero's Outer Journey
Disc 2: The Inner Journey
# Defining the Inner Journey
# The Inner Life of the Hero
# Uniting the Six Stage Plot Structure with Character
# The Power of Love Stories
# Myth and Archetype as Symbols
# Uniting the 12 Steps with the Hero's Inner Journey
Disc 3: The Journeys of Erin Brockovich
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Book: WHO WROTE THAT MOVIE?
SCREENWRITING IN REVIEW
Before the director or actors can work their magic onscreen a writer, often working alone, faces the blank page and must be the first to create the magic. Yet the writer is usually ignored by critics eager to give credit to the director or sometimes an actor. Not only that, the original vision of the screenwriter rarely makes it to the screen intact-Imagine if your favorite movie could have even been better had that image-conscious actress not demanded changes to the script. The screenplays and movies discussed include:
A Beautiful Mind,
Adaptation,
Almost Famous,
Ararat,
Black Hawk Down,
Blade 2,
Cast Away,
Catch Me if You Can,
City by the Sea,
The Cell,
Dancer in the Dark,
Far From Heaven,
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Service: PROFESSIONAL Script Analysis
Chris Wehner first signed with a Hollywood agent in 1997, and has had several screenplays receive option offers. He currently as two movies in development with Area 51 Films and Freedom Films. Chris has presented countless seminars on screenwriting at such conferences as "Selling to Hollywood" and "The Las Vegas Screenwriter's Conference." Don't miss out on this affordable and excellent opportunity to improve your script.As a script consultant he will:
· analyze and evaluate your script and provide 3-5 pages of detailed notes (includes log line and synopsis)
· identify and solve story problems
· provide effective suggestions for re-structuring
· help you develop more compelling characters
· guide you in adapting a book, play or story to film
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Screenwriter's Monthly Magazine
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All Issues are $6.95 which includes shipping and handling. If you click on the "Add to Cart" button and nothing happens (a popup window), please check your popup ad blocker and disable to initiate payment. For Mail Order Form follow link.
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LAST ISSUE: November 2004
Interview: AFTER THE SUNSET
Feautures include: Market Report, Script Sales, Point of Entry
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(Current issue is electronic PDF delivery only!)
September 2004
 | Special Edition: WRITER/DIRECTOR
INTERVIEWS: CELLULAR
MARKET: Script Deals » Point of Entry - Spec Scripts » IN Development
FEATURES: A Screenwriting Life » Script Notes
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August 2004
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INTERVIEWS: OPEN WATER
MARKET: Script Deals » Point of Entry - Spec Scripts » IN Development
FEATURES: A Screenwriting Life » Script Notes
(Current issue is electronic PDF delivery only!)
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June 2004
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INTERVIEWS: David Benioff’s Epic Adaptation, TROY » Featured Writer of the Month » Jeremy Leven on THE NOTEBOOK
MARKET: Point of Entry: Rewriting - For Free or Fee? » Script Deals: FADE OUT: a screenwriter with schizophrenia » In Development: SHREK 3 is already in the works! » Script Notes: Another WGA Strike on Horizon? » Insider Report: Hollywood’s Hottest Companies
FEATURES: Script-to-Screen: TROY » The Big Show » Monthly Craft Column: The Rewrite is always Better
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May 2004
 | SOLD OUT!!! |
April 2004
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INTERVIEWS: Mark Bomback on GODSEND » Matthew Ryan Hoge's THE UNITED STATES OF LELAND » Jonathan Hensleigh Talks THE PUNISHER
MARKET: Point of Entry: Elements of Distribution » Script Deals In Development: Tarantino Wants to do a 007? » Script Notes
FEATURES: Hollywood & Religion » The Big Show Monthly Craft Column: Write if You Can » Screenwriter's Notebook: Research on the Web » Editorial: Hollywood Remakes Again and Again
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March 2004
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INTERVIEWS: ANIMATION SCREENWRITING: Home on the Range with Will Finn and John Sanford » David Mamet on Spartan » Jon Bokenkamp is talking about Taking Lives
MARKET:Point of Entry » Script Deals » In Development » Script Notes
FEATURES: Slamdance: Watershed » Monthly Craft Column: Dig Deeper » The Big Show » Script-to-Screen: Eternal Sunshine of the Spotless Mind »Editorial: The End of 2D Animation at Disney.
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February 2004
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INTERVIEWS: Tarantino on Kill Bill Vol. 2 » In the Booth with Larry Cohen » Sofia Coppola: Words not Lost in Translation
MARKET: Point of Entry »
Script Deals »
In Development »
Script Notes
FEATURES: 2003’s Best Screenplays » Sundance 2004 » The Big Show » Utilizing Humor in Your Screenplay » Why The Return of the King Better Win...
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January 2004
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INTERVIEWS: Shawn Lawrence Otto on HOUSE OF SAND AND FOG » John August talks BIG FISH »THE LAST SAMURAI: Zwick and Herskovitz
MARKET: Insider Report - Holiday Films » Point of Entry - Get the Attention You Deserve » Script Deals » IN Development
FEATURES: Script-to-Screen - COLD MOUNTAIN » The Big Show » Script Notes » Hollywood Ten - Up and Coming Writers
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December 2003
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INTERVIEWS: Guillermo Arriaga on 21 GRAMS » Billy Ray Talks About SHATTERED GLASS » Mike Rich has a RADIO on
MARKET: Script Deals Point of Entry - Building Your Team » IN Development
FEATURES: A Screenwriting Life: MIKE RICH » Screenwriting 101 - Your First Ten Pages » Script Notes » Oscar Speculation - 2003's Best Screenplays?
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November 2003
 | SOLD OUT!! |
October 2003
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INTERVIEWS: Brian Helgeland on Mystic River, The Order, Clint Eastwood, adaptations, theme, character, structure and more! » INDEPENDENT FOCUS: an interview with Melvin Goes to Dinner writer-director Michael Blieden.
MARKET: Point of Entry: It’s Spec Season Again! Script Deals IN Development
FEATURES: A Screenwriting Life: Brian Helgeland » Script to Screen: Tarantino’s Kill Bill » P.O.V.: Why T.V. Writing is Better » Book Review: How to Adapt Anything...
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September 2003
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INTERVIEWS: Rob Zombie talks House of 1000 Corpses »
Charles Shelton (Deadtime Stories) On Writing Pure Horror »
Steven Katz on Writing the Perfect Vampire Movie »
Lost in Translation: Sofia Coppola
MARKET: The Insider Report »
Script Deals of the Month »
Point of Entry »
In Development »
Script Notes
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August 2003
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SPECIAL EDITION!! 44 pages!!!
INTERVIEWS: Gary Ross on Seabiscuit » Ron Shelton and Robert Souza on Hollywood Homicide
MARKET: The Insider Report » Script Deals of the Month » Point of Entry » In Development » Script Notes
FEATURES: A Screenwriting Life - Gary Ross » A Screenwriting Life - Ron Shelton » Editorial » Write Right » P.O.V. » Book Review of the Month » Hollywood Homicide Script Review » The Last Word » Telluride Film Festival Guide
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June 2003
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The Art of Pitching » The E-mail Query » Anatomy of an Irresistible Query Letter » Working the Web: WritersScriptNetwork.com » Baseline-Filmtracker Insider Report » The Independent Producer » Producer Listings
»Agent Listings » Write Right: Goldman’s Law
INTERVIEW: Elizabeth Owen Producer/President of Girlie Girl Productions » Former Creative Executive Donie Nelson - By Kenna McHugh » Finding LEVITY: An Interview with Ed Solomon » Writing Comedy: SOL GOODE
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May 2003
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INTERVIEWS: DREAM TEAM Lawrence Kasdan and William Goldman collaborated on the adaptation of Stephen King’s Dreamcatcher »
THE CORE: Writing the Hollywood Blockbuster » WOMEN IN FILM
FEATURES: "Writing the Blockbuster" Editor’s Note: Hollywood Movies » Was Air-Conditioning the Real Reason for the Emergence of the Summer Blockbuster? » A Screenwriting Life: William Goldman » Showdown at Amity Island: Jaws, the original blockbuster, was a Western » So You Wanna Write A Blockbuster? » Why We Go To Movies... » Crafty Screenwriting » P.O.V. : The Trouble with Remakes » Write Right: In Search of Integrity » The Downfall of Screenwriting
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April 2002
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GOOD COPS, BAD COPS: Writing the Modern Police Drama
Content and editorial on writing TV and motion picture police dramas; also an interview with DARK BLUE screenwriter David Ayer.
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March 2003
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**COLLECTOR EDITION** ($10.95)
THE BEST OF 2002 - We take a look back at the best scripts. Also, an interview with CATCH ME IF YOU CAN screenwriter Jeff Nathanson.
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February 2003
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**COLLECTOR EDITION** ($10.95)
PHONE BOOTH screenwriter Larry Cohen in part 2 of our "Writing the Thriller." Also an interview with ADAPTATION screenwriter Charlie Kaufman and our "Women in Film" feature. Also, a special report on "Violence in film."
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December 2002
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**COLLECTOR EDITION** ($10.95)
WRITING THE THRILLER - includes an interview with REAR WINDOW screenwriter John Michael Hayes; FRAILTY screenwriter Brent Hanley
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Did You Know?
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That the average payment to a feature writer or team for a screenplay last year was $654,000!
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